Comic conventions have steadily risen in popularity over recent decades and, as a corollary, “cosplay” – dressing up as a favourite character – has become more than just a hobby to many people. You simply have to look at some of the costumes to realise the time and effort that some individuals invest – whether that involves handcrafting or sourcing the perfect piece – to realise the devotion involved.
The newest major events in the UK have attracted record turnouts. A lot more than 133,000 cosplayers attended the London MCM Comic Con Event in May this season. When you consider that tickets could cost a lot more than £20 per person, it suggests how much cash this strange new industry is generating for the UK economy. And it’s not just tickets to events – people often spend upwards of £200 on materials, paints and fixings to help make their costumes.
There has been a debate on if the rise of Iron Spiderman Cosplay Costume has become a symbol of hard economic times: younger people without jobs spending far a lot of time seeking to become someone/something else. James Pethokoukis, American Enterprise Institute fellow and columnist, wrote – referencing mainly the cosplay craze in Japan – that “any rise in people fleeing reality for fantasy suggests issues with our reality”. Citing surveys that showed that young people in the usa are not as likely to enjoy their time playing and watching sport, economist Adam Ozimek argued that this is only an indication of changing youth culture – and, reflected a relative rise in prosperity: “I bet being a fan of cosplay is more correlated with higher wages than being a fan of football. ”
But regardless of the numbers, it’s the creativity of cosplay which really enthuses me, being a teacher of design. Cosplay is giving (mainly young) people a new-found creative output. Most will have skilled up in researching properties of materials to the stage where they become real masters of those materials. Creative skills including sketching and design development also end up being the norm for many people who had been novices.
For a large number of people, cosplaying can be the beginning of an ongoing journey right into a design career – whether this be costume design, SFX makeup or product and prop design. As an example, the one who first got me into Halloween Costumes, Sorcha McIntyre, launched a graphic design career after attending events. It opened the creative doors to a career by offering her the opportunity to display artwork and exhibit her design flair.
Some of the costumes displayed at events are probably the most imaginative you will see on stage or screen. Alongside here is the inevitable controversy all around the costumes of ladies specifically – accusations regarding the way in which cosplay s-exualises its participants. The media doesn’t really help – as you may imagine, stories about cosplay and comic conventions often mainly feature scantily-clad women. However, if you look at the actual character – or even the concept art that inspired the costumes – normally, this is where the images originate from.
For most people who attend comic conventions, cosplay isn’t concerning the particular costume they have got chosen to wear, it’s about arriving at be their favourite character for the day. That’s not to imply that some people don’t dress by doing this only for the eye – whether or not the attention they get is approval for your effort put in the costume. If you asked most cosplayers, they are going to admit the eye they receive is actually a major attraction for cosplaying. Nevertheless, dressing up to become “s-exy” is not really the true secret element in this.
This image isn’t helped by the most popular cosplayers, including Jessica Nigri and Lindsay Elyse – who definitely are known particularly for their scantily clad outfits as well as the overse-xualised photographs they make their jqbzdg selling. Nigri was reportedly motivated to leave an event unless she changed into something different towards the plunging neckline catsuit she have been sporting.
Many conventions provide you with the chance for particular fandoms to get together in large groups to talk about their passion for and experiences of creating their costumes, giving a feeling of community. So when you think X-Men Cosplay Costume is just about dressing up in s-exy outfits you are sadly mistaken. Cosplay continues to grow up: it’s an art, an inclusive hobby and a creative pursuit – and, for an increasing number of people, it’s a way of life.